CRITICAL ANALYSIS OF VISUAL CULTURE (CAVC)

『散歩する侵略者』 before we vanish by Kurosawa Kiyoshi, 2017

Please download the NOTES HERE . You need a pw to dl it, and the sharing will expire by April 29th.

how to sign up for attendance if you are a registered student? A code is needed. 1. today's code: instruction will be given by the teacher; 2. send this code to Hao in the 'chat' window, via private message, before the class ends. 3. Code varies each time; sometimes given in the middle of the course.

Hello all, This is the citing style, please click: Harvard

Required Reading Dissanayake, Wimal. (2004).  “Introduction: Nationhood, History and Cinema Reflections on The Asian Scene ”, in  Colonialism and Nationalism in Asian Cinema , edited by Wimal Dissanayake, Indiana University Press.ppix-xxviii [ note: thorough and incisive survey of ‘national cinema’ as a critical concept in film studies, you don’t want to miss it ] Higson, Andrew. (2006).  “The Limiting Imagination of National Cinema”,  Transnational Cinema: The Film Reader , edited by Elizabeth Ezra and Terry Rowden, Routledge, p15-25 Reference Reading [for MA and more intensive studies] Anderson, Benedict. (1983). “ Introduction ”,  Imagined Communities. Reflections on the Origin and Spread of Nationalism . Revised Edition. First published by Verso.

1.     Your status of registration--please confirm asap; otherwise send us your student ID NO.; 2. We test ZOOM together Video on please (so we know you are you); Raise your hand; grouping; share the screen; etc. 3.   Syllabus a)   the use of blog: password; sharing period (link expires within a week); visual resources  b) evaluation methods; c) lecture codes; 4. Q&A 

Dear all, Please click to download our syllabus of the course titled NEW PESPECTIVES ON CINEMA S TUDIES. [ an updated version here ] If you have any questions, please write to me.