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Final Paper

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Final Paper : Due on Aug 5 th /Aug 12th Wed , whole day

reminder

Dear all, Please upload your PPT or other types of presentation files to this cloud folder: https://nuss.nagoya-u.ac.jp/s/ NSD33PWcM22SxjP BEFORE  the presentation session happens. The Main purpose is for better sharing of the presentation contents, for your team and for other teams, esp under the online conditions. Also, it is a Plan B for your team, just in case technical problems happen. One tiny little requirement: PLEASE go through your presentation file BEFORE your ZOOM presentation. Esp when there's notes etc. embedded (please note the fact that I never embed NOTES in my own talk, but I do know you need to allow yourself some time to learn how to do so at ZOOM; lots of instruction videos are available at YouTube as well),  SO you may need to rehearse how to do the presentation (for instance, without your speakers' notes seen by the others) prior to the formal presentation . all the best, Ran 

notes on Korean cinema today

Please download the NOTES HERE The link will expire within a week.

Notes on Week 11 AKIRA, ANIME

Please download it HERE . It will expire within a week. 

Week 12★July 10th FILM FESTIVAL STUDIES: AN OVERVIEW

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NCC week 13&14 GROUP PRESENTATIONS

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New Timeline Week 13★July 17th   Group Presentations I Week 14★July 24th Group Presentations II Week 15 July 31 Thesis Workshop For the Group Presentation, we will divide ourselves into 5 groups , and each group shall present on 1 out of the several discussion topics (see list).

Week 11★July 3rd AKIRA, ANIME [discussion]

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Homework Viewing: Akira ( 1988 ) D ir. OTOMO Katsuhiro/ 大友克洋 109 Cinemas Nagoya is now showing AKIRA (4k)!!

Week 10★June 26th WHAT ON EARTH DO WE KNOW ABOUT KOREAN CINEMA TODAY? [discussion]

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Homework Viewing: any genre films mentioned by the authors. (and probably I don’t have to assign you to watch Bong’s Parasite)

Week 9★June 19th SURREAL SONGSTRESS: CINEPHILIA AND CONNECTIVITY IN THE HOLE (discussion)

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NOTES for DEBATING XIANCHANG: RETHINKING CHINESE INDEPENDENT DOCUMENTARY

Please download the NOTES HERE . The link will expire within a week.

Week 8★June 12 in the now (and then): temporality, realism, and Chinese (independent) cinema into the 2000s (Discussion)

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Homework Viewing: Still Life/ 三峽好人 , 2006 [click the title you would see YouTube] Dir. JIA Zhangke/ 賈樟柯 [write to me if you want to view a better quality version]

ZOOM MEETING PASSWORD CHANGED iN JUNE

if you do not know what it is, please email to Ma Ran. best Ran

Week 7★June 5th DEBATING XIANCHANG: RETHINKING CHINESE INDEPENDENT DOCUMENTARY

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Homework Viewing: Bumming in Beijing/流浪北京 , 1990 Dir. WU Wenguang/ 吳 文光 [available on YouTube; CLICK THE TITLE] PLEASE WATCH THE FILM OR ANY TITLE MENTIONED BY BERRY AND PPL OTHERWISE WE DO NOT KNOW WHAT WE ARE TALKING ABOUT AND I DO NOT KNOW HOW TO TEACH...YOU KNOW WHAT I MEAN RIGHT?

notes for Week 5

Notes for Week 5 can be downloaded HERE The link will expire 5 days later.

Week 6★May 29th TOWARD FIRST-PERSON DOCUMENTARY: THE JAPANESE CASE STUDIES (Discussion)

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Homework Screening: Extreme Private Eros: Love Song 1974・極私的エロス 恋歌1974 (1974) Dir. HARA Kazuo ・ 原一男 & Katatsumori・かたつもり (1994) Dir. KAWASE Naomi・ 河瀨直美 [ https://www.youtube.com/watch?v=tBnrtIPfPCc ]

PLEASE DO

please write a mail to Ma Ran, to get the info on these two films: Sans Soleil, 1983, Dir. Chris Marker & China Concerto, 2012, Dir. Bo Wang I will assume that you have watched both films,  if you do not write to me.

Week 5★May 22nd RETHINKING DOCUMENTARY CINEMA II: ESSAY FILM & FIRST PERSON DOCUMENTARY [guest talk with WANG Bo on same day 4:30pm]

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Week 4 notes

Please download the Notes for What is Documentary HERE A PW is needed. Link will expire by May 22nd.

NCC Reading Journal, Spring 2020

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Due on June 11 th /July 9 th , by 5pm Submit it via email to maran@nagoya-u.jp NOTE: if you have not received my confirmation mail after the submission, mail me again; my university mail sometimes is not compatible with your mail system.

NOTES FOR MAY 8

Please download it HERE The link will expire by May 15th.

Week 4★May 15th RETHINKING DOCUMENTARY CINEMA I: BUT WHAT IS DOCUMENTARY ANYWAY?

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Week 3★ May 8th TRANSNATIONAL CINEMA, THE JAPANESE CASE

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『散歩する侵略者』 before we vanish by Kurosawa Kiyoshi, 2017

Week 2 Notes

Please download the NOTES HERE . You need a pw to dl it, and the sharing will expire by April 29th.

HOW TO SIGN UP YOUR ATTENDANCE?

how to sign up for attendance if you are a registered student? A code is needed. 1. today's code: instruction will be given by the teacher; 2. send this code to Hao in the 'chat' window, via private message, before the class ends. 3. Code varies each time; sometimes given in the middle of the course.

CITATION STYLE for your written assignments

Hello all, This is the citing style, please click: Harvard

Week 2★Apr 24th REVISITING THE NATIONAL WITHIN THE EAST ASIAN CONTEXT

Required Reading Dissanayake, Wimal. (2004).  “Introduction: Nationhood, History and Cinema Reflections on The Asian Scene ”, in  Colonialism and Nationalism in Asian Cinema , edited by Wimal Dissanayake, Indiana University Press.ppix-xxviii [ note: thorough and incisive survey of ‘national cinema’ as a critical concept in film studies, you don’t want to miss it ] Higson, Andrew. (2006).  “The Limiting Imagination of National Cinema”,  Transnational Cinema: The Film Reader , edited by Elizabeth Ezra and Terry Rowden, Routledge, p15-25 Reference Reading [for MA and more intensive studies] Anderson, Benedict. (1983). “ Introduction ”,  Imagined Communities. Reflections on the Origin and Spread of Nationalism . Revised Edition. First published by Verso.

Today’s Rundown on Apr 17th

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1.     Your status of registration--please confirm asap; otherwise send us your student ID NO.; 2. We test ZOOM together Video on please (so we know you are you); Raise your hand; grouping; share the screen; etc. 3.   Syllabus a)   the use of blog: password; sharing period (link expires within a week); visual resources  b) evaluation methods; c) lecture codes; 4. Q&A 

Welcome to the Spring semester 2020

Dear all, Please click to download our syllabus of the course titled NEW PESPECTIVES ON CINEMA S TUDIES. [ an updated version here ] If you have any questions, please write to me. 

notes on THIRD CINEMA

the Vampires of Poverty / Agarrando Pueblo  [click HERE] ,  Dir. Luis Ospina, Carlos Mayolo, 1977, 28min Please download the  NOTES HERE . a password is needed to access the PDF file; the link will expire in  ONE week's time

Final Paper: Due on Feb 6th/THU, whole day

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FEMINIST FILM THEORY notes

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Awkwafina poses in the press room with the award for best performance by an actress in a motion picture, musical or comedy for "The Farewell" at the 77th annual Golden Globe Awards Sunday, Jan. 5, 2020. (AP Photo/Chris Pizzello) Please download the  NOTES HERE . a password is needed to access the PDF file; the link will expire in  ONE week's time

THIRD CINEMA REVISITED

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Jan 17 th      UNIVERSITY EXAM no class Special Screening: The Battle of Algeria , Dir. Gillo Pontecorvo, 1966 Time &Venue: JAN 20 th/ , Monday 4:30pm, Rm 131