TAKE-HOME PROJECT




I.               [EARLIEST FILM SCREENING]
Please offer a historical account of the first film screening (NOTE: modern cinema, not the pre-cinema inventions such as shadow play) ever taking place in your home country, or any other nation of your interest (could be Japan!). You might want to illustrate where/when the screening took place and who actually contributed to such event(s) and who the audiences were. Other relevant details could be added. You may also want to explain briefly what made the screenings possible (technologically; infrastructurally; socioculturally; or even politically). For the writing style you could refer to KT & DB’s, or other film history books. You should offer at least 2 sources of academic references at the end of the entry (could be from monographs; anthologies; academic journal etc.; but please no WIKIPEDIA); images or clips are welcomed but not a must. You could submit this as WORD document. No word limit.

II.             [ANALYSIS OF EDITING]
Make a compilation of video clips (keep it shorter than 5 min) or stills from films based on your understanding of continuity editing, as well as the Montage editing. You should find at least 1 example for each of the following group:
1) intercutting; analytical editing; POV shot; shot/reverse shot;
2) overlapping editing; elliptical cutting (jump cut); non-diegetic insert. (Montage would use intercutting as well; if you choose a Montage style intercutting, explain it as such)
Please indicate which type(s) of editing you are demonstrating, and which aspects characterize such a style of editing. Also indicate well the source of films referred to (they could be classical films, or contemporary ones); please do NOT repeat the same examples used in the readings (I won’t tell you that YouTube has tons more examples!); please do not take student works as examples; try to use distributed, more widely known works. You are welcome to submit it in PPT or other presentation file formats. 

NOTE: Due on Nov 12th, 10am; submit to this mail: maran@lit.nagoya-u.ac.jp

Late submissions, unless otherwise explained, won’t be accepted.

Comments

Popular posts from this blog

READINGS Mizoguchi’s Fallen Women

POSTWAR JAPANESE CINEMA: HOW TO REMEMBER/FORGET THE WAR?