Week 4★Nov 1st MONTAGE/EDITING
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| Battleship Potemkin |
Reference Films
1) Battleship
Potemkin, Dir. Sergei Eisenstein, 1925
2) Man
with a Movie Camera, Dir. Dziga Vertov, 1929
NOTE: NO in-class screenings (both
available at YouTube with English
subtitle)
For Week 3-6 (would illuminate several important topics; for sure, you can take it slow reading it)
Kolker R. ‘the Film Text and Film Form’, in the Oxford Guide to Film Studies, Edited by John Hill and Pamela Church Gibson, Oxford University Press, Oxford, 11-29 (including an analysis of Citizen Kane)
Required
Reading for Week 4:
[I made a change; am uploading here the 11th Edition of Film Art; a PW is needed to dl--if you do not know it, ask Ma Ran]
Bordwell, David & Thompson, Kristin. 2017. “The Relation of Shot to Shot: Editing”, Film Art: An Introduction
(11th Edition), University of Wisconsin Press, pp.216-262
NOTE: actually lots of examples are included here, although it seems that there are a lot of pages.
Reference
Reading:
Stam, Robert. 2000. “the Soviet Montage-Theorists” &“Russian Formalism and the Bakhtin School”, Film
Theory: an Introduction, Blackwell Publishing, pp.37-55

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